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Big Purcell Box by Various Artists

Various ArtistsBig Purcell Box

1.

The Fairy Queen, Z. 629, Suite I: I. Air

The Wiener Solisten and Wilfried Bottcher

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2.

The Fairy Queen, Z. 629, Suite I: II. Rondeau

The Wiener Solisten and Wilfried Bottcher

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3.

The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies

The Wiener Solisten and Wilfried Bottcher

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4.

The Fairy Queen, Z. 629, Suite I: IV. Hornpipe

The Wiener Solisten and Wilfried Bottcher

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5.

The Fairy Queen, Z. 629, Suite I: V. Jig

The Wiener Solisten and Wilfried Bottcher

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6.

The Fairy Queen, Z. 629, Suite II: I. Prelude

The Wiener Solisten and Wilfried Bottcher

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7.

The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance

The Wiener Solisten and Wilfried Bottcher

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8.

The Fairy Queen, Z. 629, Suite II: III. Air

The Wiener Solisten and Wilfried Bottcher

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9.

The Fairy Queen, Z. 629, Suite II: IV. Chaconne

The Wiener Solisten and Wilfried Bottcher

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10.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio)

April Cantelo, Maurice Bevan, Walter Bergmann, Gerald English, Kalmar Orchestra of London and Alfred Deller

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11.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art

April Cantelo, Kalmar Orchestra of London, Gerald English, Alfred Deller, Maurice Bevan and Walter Bergmann

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12.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet

April Cantelo, Alfred Deller, Kalmar Orchestra of London, Gerald English, Maurice Bevan and Walter Bergmann

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13.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise)

April Cantelo, Walter Bergmann, Maurice Bevan, Gerald English, Alfred Deller and Kalmar Orchestra of London

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14.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol

April Cantelo, Walter Bergmann, Kalmar Orchestra of London, Gerald English, Alfred Deller and Maurice Bevan

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15.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: The Day that Such a Blessing

April Cantelo, Alfred Deller, Gerald English, Kalmar Orchestra of London, Walter Bergmann and Maurice Bevan

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16.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues

April Cantelo, Gerald English, Kalmar Orchestra of London, Alfred Deller, Maurice Bevan and Walter Bergmann

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17.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms

April Cantelo, Kalmar Orchestra of London, Walter Bergmann, Maurice Bevan, Alfred Deller and Gerald English

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18.

Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing

April Cantelo, Walter Bergmann, Kalmar Orchestra of London, Gerald English, Alfred Deller and Maurice Bevan

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19.

The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732

Concentus Musicus Wien and Nikolaus Harnoncourt

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20.

The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733

Concentus Musicus Wien and Nikolaus Harnoncourt

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21.

The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734

Concentus Musicus Wien and Nikolaus Harnoncourt

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22.

The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739

Concentus Musicus Wien and Nikolaus Harnoncourt

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23.

The Fantasias for Viol, Four-Voice Fantasia No. 6, in A Minor, Z. 740

Concentus Musicus Wien and Nikolaus Harnoncourt

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24.

The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735

Concentus Musicus Wien and Nikolaus Harnoncourt

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25.

The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741

Concentus Musicus Wien and Nikolaus Harnoncourt

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26.

The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736

Concentus Musicus Wien and Nikolaus Harnoncourt

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27.

The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742

Concentus Musicus Wien and Nikolaus Harnoncourt

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28.

The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737

Concentus Musicus Wien and Nikolaus Harnoncourt

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29.

The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738

Concentus Musicus Wien and Nikolaus Harnoncourt

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30.

The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743

Concentus Musicus Wien and Nikolaus Harnoncourt

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31.

The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744

Concentus Musicus Wien and Nikolaus Harnoncourt

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32.

The Fantasias for Viol, In Nomine of 7 Part, Z. 747

Concentus Musicus Wien and Nikolaus Harnoncourt

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33.

The Fantasias for Viol, In Nomine of 6 Parts, Z. 746

Concentus Musicus Wien and Nikolaus Harnoncourt

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35.

Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694

George Malcolm

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36.

Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647

George Malcolm

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37.

Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648

George Malcolm

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38.

Musick's Handmaid, Lessons 1-6: iv. New Minuet In D Minor, Z.T689

George Malcolm

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39.

Musick's Handmaid, Lessons 1-6: v. Minuet in A Minor, Z.649

George Malcolm

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40.

Musick's Handmaid, Lessons 1-6: vi. Minuet in A Minor, Z.650

George Malcolm

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41.

Musick's Handmaid, Lessons 7-12: i. A New Scotch Tune in G Major, Z. 655

George Malcolm

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42.

Musick's Handmaid, Lessons 7-12: ii. A New Ground in E Minor, Z. T682

George Malcolm

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43.

Musick's Handmaid, Lessons 7-12: iii. A New Irish Tune, Z. 646

George Malcolm

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44.

Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653

George Malcolm

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45.

Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656

George Malcolm

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46.

Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688

George Malcolm

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55.

Harpsichord Suite No. 6 in D Major: I. Prelude

George Malcolm

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56.

Harpsichord Suite No. 6 in D Major: II. Allemande

George Malcolm

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57.

Harpsichord Suite No. 6 in D Major: III. Hornpipe

George Malcolm

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64.

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76.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music

Concentus Musicus Wien, Max Worthley, Maurice Bevan, Philip Todd, Sally Lesage, Honor Sheppard and Alfred Deller

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77.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe

Concentus Musicus Wien, Alfred Deller, Maurice Bevan, Max Worthley, Honor Sheppard, Sally Lesage and Philip Todd

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79.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies

Concentus Musicus Wien, Max Worthley, Maurice Bevan, Sally Lesage, Philip Todd, Alfred Deller and Honor Sheppard

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80.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune

Concentus Musicus Wien, Alfred Deller, Maurice Bevan, Honor Sheppard, Philip Todd, Max Worthley and Sally Lesage

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81.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, The Chair Dance

Concentus Musicus Wien, Max Worthley, Honor Sheppard, Maurice Bevan, Sally Lesage, Philip Todd and Alfred Deller

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82.

82 The Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune

Concentus Musicus Wien, Honor Sheppard, Philip Todd, Max Worthley, Sally Lesage, Alfred Deller and Maurice Bevan

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84.

The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance

Concentus Musicus Wien, Maurice Bevan, Max Worthley, Alfred Deller, Sally Lesage, Philip Todd and Honor Sheppard

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86.

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87.

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88.

Fantasia in B-flat major, Z.736

Vienna Chamber Orchestra and Franz Litschauer

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89.

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90.

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91.

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92.

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93.

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94.

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95.

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96.

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97.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture)

A Deller, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers, G ESKDALE, A CANTELO, P SALMON, J FROST and M TIPPETT

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98.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia

A Deller, P SALMON, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers, G ESKDALE, A CANTELO, J FROST and M TIPPETT

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100.

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101.

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102.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World

A Deller, P SALMON, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers, G ESKDALE, A CANTELO, J FROST and M TIPPETT

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103.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay

A Deller, A CANTELO, J FROST, M TIPPETT, P SALMON, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers and G ESKDALE

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104.

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105.

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106.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): In Vain the Am'rous Flute

A Deller, G ESKDALE, Ambrosian Singers, M Bevan, J FROST, M TIPPETT, A CANTELO, W BROWN, Kalmar Chamb Orch of London and P SALMON

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107.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): The Fife and all the Harmony of War

A Deller, P SALMON, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers, G ESKDALE, A CANTELO, J FROST and M TIPPETT

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108.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest

A Deller, M Bevan, Ambrosian Singers, G ESKDALE, A CANTELO, J FROST, M TIPPETT, P SALMON, W BROWN and Kalmar Chamb Orch of London

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109.

Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia

A Deller, P SALMON, J FROST, M TIPPETT, W BROWN, Kalmar Chamb Orch of London, M Bevan, Ambrosian Singers, G ESKDALE and A CANTELO

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110.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace

Alfred Deller, Gerald English, Kalmar Orchestra of London, April Cantelo, Wilfred Brown, Maurice Bevan, Eileen McLoughlin and Owen Grundy

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111.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339

Alfred Deller, Kalmar Orchestra of London, Gerald English, April Cantelo, Wilfred Brown, Maurice Bevan, Eileen McLoughlin and Owen Grundy

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112.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve

Alfred Deller, Gerald English, April Cantelo, Wilfred Brown, Kalmar Orchestra of London, Eileen McLoughlin, Owen Grundy and Maurice Bevan

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113.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial

Alfred Deller, Eileen McLoughlin, Owen Grundy, Gerald English, Kalmar Orchestra of London, April Cantelo, Wilfred Brown and Maurice Bevan

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114.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices

Alfred Deller, Eileen McLoughlin, Owen Grundy, Maurice Bevan, Gerald English, April Cantelo, Wilfred Brown and Kalmar Orchestra of London

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115.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo)

Alfred Deller, Gerald English, April Cantelo, Wilfred Brown, Kalmar Orchestra of London, Eileen McLoughlin, Owen Grundy and Maurice Bevan

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116.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love

Alfred Deller, Eileen McLoughlin, Owen Grundy, Maurice Bevan, Gerald English, April Cantelo, Wilfred Brown and Kalmar Orchestra of London

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117.

Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. In a Consort of Voices

Alfred Deller, Eileen McLoughlin, Owen Grundy, Maurice Bevan, Gerald English, April Cantelo, Wilfred Brown and Kalmar Orchestra of London

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118.

Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture

Chamber Orchestra of Hartford and Fritz Mahler

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119.

Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau

Chamber Orchestra of Hartford and Fritz Mahler

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120.

Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air

Chamber Orchestra of Hartford and Fritz Mahler

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121.

Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air

Chamber Orchestra of Hartford and Fritz Mahler

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122.

Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet

Chamber Orchestra of Hartford and Fritz Mahler

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123.

Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air

Chamber Orchestra of Hartford and Fritz Mahler

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124.

Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig

Chamber Orchestra of Hartford and Fritz Mahler

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125.

Abdelazer or the Moor’s Revenge Suite, Z.570: VIII. Hornpipe

Chamber Orchestra of Hartford and Fritz Mahler

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126.

Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air

Chamber Orchestra of Hartford and Fritz Mahler

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127.

The Married Beau, or the Curious Impertinent, Z. 603: I. Overture

Chamber Orchestra of Hartford and Fritz Mahler

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128.

The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe

Chamber Orchestra of Hartford and Fritz Mahler

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129.

The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air

Chamber Orchestra of Hartford and Fritz Mahler

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130.

The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air

Chamber Orchestra of Hartford and Fritz Mahler

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131.

The Married Beau, or the Curious Impertinent, Z. 603: V. Jig

Chamber Orchestra of Hartford and Fritz Mahler

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132.

The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe

Chamber Orchestra of Hartford and Fritz Mahler

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133.

The Married Beau, or the Curious Impertinent, Z. 603: VII. March

Chamber Orchestra of Hartford and Fritz Mahler

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134.

The Married Beau, or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground

Chamber Orchestra of Hartford and Fritz Mahler

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135.

The Gordian Knot Untied, Z. 597: I. Overture

Chamber Orchestra of Hartford and Fritz Mahler

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136.

The Gordian Knot Untied, Z. 597: II. Air

Chamber Orchestra of Hartford and Fritz Mahler

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137.

The Gordian Knot Untied, Z. 597: III. Rondeau Minuet

Chamber Orchestra of Hartford and Fritz Mahler

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138.

The Gordian Knot Untied, Z. 597: IV. Air

Chamber Orchestra of Hartford and Fritz Mahler

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139.

The Gordian Knot Untied, Z. 597: V. Jig

Chamber Orchestra of Hartford and Fritz Mahler

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140.

The Gordian Knot Untied, Z. 597: VI. Chaconne

Chamber Orchestra of Hartford and Fritz Mahler

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141.

The Gordian Knot Untied, Z. 597: VII. Air

Chamber Orchestra of Hartford and Fritz Mahler

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142.

The Gordian Knot Untied, Z. 597: VIII. Minuet

Chamber Orchestra of Hartford and Fritz Mahler

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143.

The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture

Chamber Orchestra of Hartford and Fritz Mahler

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144.

The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air

Chamber Orchestra of Hartford and Fritz Mahler

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145.

The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe

Chamber Orchestra of Hartford and Fritz Mahler

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146.

The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II

Chamber Orchestra of Hartford and Fritz Mahler

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147.

The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro

Chamber Orchestra of Hartford and Fritz Mahler

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148.

Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731

Neville Marriner, Desmond Dupre, George Malcolm and Peter Gibbs

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149.

Oedipus (1692), Z. 583 “Music for a While"

Alfred Deller and Walter Bergman

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151.

The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines

Alfred Deller, George Malcolm and Maurice Bevan

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152.

The Fairy Queen – Epithalalmium “Thrice Happy Lovers"

Alfred Deller and Walter Bergmann

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153.

“If Music Be the Food of Love", 1st Version, Z 379A

Alfred Deller and Walter Bergmann

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154.

The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186

Alfred Deller, April Cantelo and Walter Bergmann

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155.

Not All My Torments, Z. 400

Alfred Deller and Walter Bermann

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156.

Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184

Alfred Deller, George Malcolm, Maurice Bevan and April Cantelo

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157.

King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling"

Alfred Deller and Walter Bergmann

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158.

Pausanias, Z. 585 “Sweeter than Roses"

Alfred Deller and Walter Bergmann

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159.

The Fatal Hour Comes on Apace, Z. 421

Alfred Deller and Walter Bergmann

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160.

Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar"

Alfred Deller and Walter Bergmann

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161.

The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly"

Alfred Deller and Walter Bergmann

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162.

Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom"

Alfred Deller and Walter Bergmann

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163.

Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?"

Alfred Deller and Walter Bergmann

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164.

The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs"

Alfred Deller and Walter Bergmann

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165.

Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro

Granville Jones, George Malcolm, Desmond Dupre and Peter Gibbs

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166.

Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio

Granville Jones, Peter Gibbs, George Malcolm and Desmond Dupre

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167.

Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro

Granville Jones, Peter Gibbs, George Malcolm and Desmond Dupre

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168.

Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave

Granville Jones, Peter Gibbs, George Malcolm and Desmond Dupre

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169.

Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro

Granville Jones, Desmond Dupre, Peter Gibbs and George Malcolm

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170.

Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato

Neville Marriner and George Malcolm

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171.

Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione

Neville Marriner and George Malcolm

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172.

Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace

Neville Marriner and George Malcolm

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173.

The Faerie Queen, Z. 629: Secrecie’s Song

Alfred Deller, Leonhardt Baroque Ensemble and Gustav Leonhardt

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174.

The Faerie Queen, Z. 629: Mystery’s Song

Alfred Deller, Leonhardt Baroque Ensemble and Gustav Leonhardt

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175.

Cantata “If ever I more riches did desire," Z. 544 – Here let my life

Alfred Deller, Gustav Leonhardt and Leonhardt Baroque Ensemble

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176.

Ode on St. Cecilia’s Day, Z. 339 “Welcome to All the Pleasures" – Here the Deities approve

Alfred Deller, Leonhardt Baroque Ensemble and Gustav Leonhardt

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177.

Dioclesian, Z. 627 – Since from my dear Astrea’s sight

Alfred Deller, Leonhardt Baroque Ensemble and Gustav Leonhardt

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182.

Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment

M Thomas, H Watts, Oriana Concert Choir, M Bevan, E Dales, H Sheppard, A Deller, Oriano Concert Orchestra and R Tear

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183.

Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state

M Thomas, Oriano Concert Orchestra, A Deller, M Bevan, E Dales, R Tear, Oriana Concert Choir, H Sheppard and H Watts

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194.

Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill

M Thomas, Oriano Concert Orchestra, H Sheppard, A Deller, M Bevan, E Dales, Oriana Concert Choir, R Tear and H Watts

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204.

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207.

Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command

M Thomas, H Watts, Oriano Concert Orchestra, H Sheppard, Oriana Concert Choir, A Deller, M Bevan, E Dales and R Tear

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215.

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