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Big Choral Box Vol III, Classical and Romantic by Various Artists

Various ArtistsBig Choral Box Vol III, Classical and Romantic

1.

Beethoven: Cantate auf die Erhebung Leopold des Zweiten zur Kaiserwurde, WoO88: I. Recitative for Soprano and Chorus: Er Schlummert

Deborah Voigt, Gregory Cross, Robert Bass, Jan Opalach, Vagabond Children's Ensemble, Elizabeth Futral and Collegiate Chorale featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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2.

Beethoven: Cantate auf die Erhebung Leopold des Zweiten zur Kaiserwurde, WoO88: II. Aria for Soprano and Chorus: Fliesse, Wonnezah

Deborah Voigt, Jan Opalach, Vagabond Children's Ensemble, Elizabeth Futral, Collegiate Chorale, Gregory Cross and Robert Bass featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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3.

Beethoven: Cantate auf die Erhebung Leopold des Zweiten zur Kaiserwurde, WoO88: III. Recitative for Bass: Ihr staunt, Volker der Erde!

Deborah Voigt, Robert Bass, Collegiate Chorale, Vagabond Children's Ensemble, Gregory Cross, Elizabeth Futral and Jan Opalach featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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4.

Beethoven: Cantate auf die Erhebung Leopold des Zweiten zur Kaiserwurde, WoO88: IV. Recitative for Tenor: Wie bebt mein Herz vor Wonne!

Deborah Voigt, Jan Opalach, Vagabond Children's Ensemble, Elizabeth Futral, Collegiate Chorale, Gregory Cross and Robert Bass featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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5.

Beethoven: Cantate auf die Erhebung Leopold des Zweiten zur Kaiserwurde, WoO88: V. Trio for Soprano, Tenor, and Bass: Ihr, die Joseph ihren Vater nann

Deborah Voigt, Collegiate Chorale, Robert Bass, Vagabond Children's Ensemble, Gregory Cross, Elizabeth Futral and Jan Opalach featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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21.

Faure: Requiem, Op.48: V. Agnus Dei Faure: Requiem, Op.48: VI. Libera Me

Orchestra of Saint Luke's, St. Thomas Choir of Men and Boys and Gerre Hancock

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24.

Haydn: Mass No.10 in C Major, “Missa in tempore belli" (Hob.XXII:9): I. Kyrie: Largo – Allegro moderato

Netania Davrath, Vienna State Opera Chamber Choir, Anton Dermota, Walter Berry, Vienna State Opera Orchestra, Mogens Woldike and Hilde Rössl-Majdan

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33.

Haydn: Mass No.10 in C Major, “Missa in tempore belli" (Hob.XXII:9): X. Sanctus: Allegro con spirito

Netania Davrath, Walter Berry, Hilde Rössl-Majdan, Vienna State Opera Orchestra, Anton Dermota, Mogens Woldike and Vienna State Opera Chamber Choir

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36.

Haydn: Mass No.10 in C Major, “Missa in tempore belli" (Hob.XXII:9): XIII. Agnus Dei: Allegro con spirit

Netania Davrath, Vienna State Opera Orchestra, Hilde Rössl-Majdan, Mogens Woldike, Vienna State Opera Chamber Choir, Anton Dermota and Walter Berry

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38.

Beethoven: Der glorreiche Augenblick, Op.136: II. Recitative: O seht sie nach und näher treten! Air: Sweet Music, Gently Throu My Senses Steal; Chorus

Deborah Voigt, Elizabeth Futral, Jan Opalach, Collegiate Chorale, Robert Bass, Vagabond Children's Ensemble and Gregory Cross featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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40.

Beethoven: Der glorreiche Augenblick (cantata), Op.136: IV. Recitative: O Himmel, welch' Entzücken! Cavatina with chorus: Dem die erste Zähre; Recitat

Deborah Voigt, Elizabeth Futral, Collegiate Chorale, Gregory Cross, Robert Bass, Jan Opalach and Vagabond Children's Ensemble featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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41.

Beethoven: Der glorreiche Augenblick, Op.136: V. Recitative: Der den Bund in Sturme festgehalten; Quartet: In meinen Mauern bauen sich neue Zeiten

Deborah Voigt, Jan Opalach, Vagabond Children's Ensemble, Elizabeth Futral, Collegiate Chorale, Gregory Cross and Robert Bass featuring Orchestra of St. Luke's, Orchestra of St. Luke's

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52.

Berlioz: Messe Solennelle, H 20: X. Motet pour l'Offertoire - Quis similis tui

Rosa Lamoreaux, Terry Cook, Gene Tucker, Washington National Cathedral Choral Society and J. Reilly Lewis

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76.

Handel: Samson, HWV 57: Act 1. Sinfonia. Andante, Pomposo - Allegro - Menuetto

J Peerce, L Parker, M Abravanel, P Curtin, J Preston, K Whitelock, U of Utah Chorale and Utah Symphony Orchestra

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77.

Handel: Samson, HWV 57: Act 1. Recitative. This day, a solemn feast. / Chorus. Awake the trumpet's lofty sound!

J Peerce, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin and J Preston

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81.

Handel: Samson, HWV 57: Act 1. Recitative. Why by an angel was my birth foretold. / Aria. Torments, alas, are not confined

J Peerce, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock and P Curtin

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82.

Handel: Samson, HWV 57: Act 1. Recitative. O change beyond report. / Recitative. Whom have I to complain of but myself

J Peerce, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock and P Curtin

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86.

Handel: Samson, HWV 57: Act 1. Aria. Thy glorious deeds inspir'd my tongue

J Peerce, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin, J Preston and K Whitelock

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87.

Handel: Samson, HWV 57: Act 1. Recitative. Justly these evils have befallen thy son. / Aria. Why does the God of Israel sleep

J Peerce, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin and J Preston

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88.

Handel: Samson, HWV 57: Act 1. Recitative. There lies our hope! / Chorus. Then shall they know

J Peerce, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin and J Preston

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89.

Handel: Samson, HWV 57: Act 1. Recitative. For thee, my dearest son. / Recitative. My genial spirits droop

J Peerce, P Curtin, J Preston, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker and M Abravanel

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90.

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93.

Handel: Samson, HWV 57: Act 2. Recitative. But who is this that so bedecked and gay

J Peerce, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock, P Curtin and Utah Symphony Orchestra

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94.

Handel: Samson, HWV 57: Act 2. Aria. With plaintive notes and amorous moan

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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95.

Handel: Samson, HWV 57: Act 2. Recitative. Did love constrain thee? / Recitative. Forgive what's done

J Peerce, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock and P Curtin

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97.

Handel: Samson, HWV 57: Act 2. Aria. To fleeting pleasures make your court

J Peerce, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock and P Curtin

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98.

Handel: Samson, HWV 57: Act 2. Recitative. Ne'er think of that! / Duet. Traitor to love! / Recitative. She's gone!

J Peerce, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin and J Preston

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99.

Handel: Samson, HWV 57: Act 2. Favored of heaven is he / Chorus. To man God's universal law

J Peerce, J Preston, L Parker, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel and U of Utah Chorale

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102.

Handel: Samson, HWV 57: Act 2. Recitative. Cam'st thou for this / Duet. Go, baffled coward, go

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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103.

Handel: Samson, HWV 57: Act 2. Recitative. Here lies the proof. / Chorus. Hear, Jacob's God

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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104.

Handel: Samson, HWV 57: Act 2. Recitative. Dagon, arise! / Chorus. To song and dance

J Peerce, J Preston, L Parker, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel and U of Utah Chorale

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106.

Handel: Samson, HWV 57: Act 3. Recitative. More trouble is behind. / Aria. Presuming slave

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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107.

Handel: Samson, HWV 57: Act 3. Recitative. Reflect then / Chorus. With thunder arm'd great God, Arise!

J Peerce, U of Utah Chorale, Utah Symphony Orchestra, L Parker, M Abravanel, P Curtin, J Preston and K Whitelock

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108.

Handel: Samson, HWV 57: Act 3. Recitative. Be of good courage / Aria. Thus when the sun from his watery bed

J Peerce, P Curtin, J Preston, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker and M Abravanel

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109.

Handel: Samson, HWV 57: Act 3. Recitative. With might endued above the sons of men / Aria. The Holy One of Israel be thy gu

J Peerce, L Parker, M Abravanel, P Curtin, J Preston, K Whitelock, U of Utah Chorale and Utah Symphony Orchestra

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110.

Handel: Samson, HWV 57: Act 3. Recitative. Old Manoah with youthful steps / Recitative. I come, my brethren / Aria. Great D

J Peerce, J Preston, L Parker, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel and U of Utah Chorale

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111.

Handel: Samson, HWV 57: Act 3. Recitative. What noise of joy was that? / Aria. How willing my paternal love

J Peerce, P Curtin, J Preston, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker and M Abravanel

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112.

Handel: Samson, HWV 57: Act 3. Recitative. Your hopes of his delivery seem not vain / Sinfonia / Recitative. Heaven! what n

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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114.

Handel: Samson, HWV 57: Act 3. Aria. Ye sons, of Israel, now lament / Chorus. Weep, Israel

J Peerce, K Whitelock, P Curtin, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston and L Parker

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116.

Handel: Samson, HWV 57: Act 3. Recitative. The body comes / Chorus. Glorious hero, may thy grave

J Peerce, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock, P Curtin and Utah Symphony Orchestra

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117.

Handel: Samson, HWV 57: Act 3. Recitative. Come, come, no time for lamentation now / Aria. Let the bright Seraphim

J Peerce, Utah Symphony Orchestra, M Abravanel, U of Utah Chorale, J Preston, L Parker, K Whitelock and P Curtin

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118.

Handel: Samson, HWV 57: Act 3. Chorus. Let their celestial concerts all unite

J Peerce, P Curtin, J Preston, K Whitelock, U of Utah Chorale, Utah Symphony Orchestra, L Parker and M Abravanel

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123.

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127.

Haydn: Missa in angustiis in D Minor “Lord Nelson" (Hob. XXII:11): III. Gloria: Qui tollis peccata mundi

Teresa Stich-Randall, Frederick Guthrie, Akademie Kammerchor, Mario Rossi, Elisabeth Hoengen, Anton Dermota and Vienna State Opera Orchestra

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128.

Haydn: Missa in angustiis in D Minor “Lord Nelson" (Hob. XXII:11): IV. Gloria: Quoniam tu solus sanctus

Teresa Stich-Randall, Anton Dermota, Vienna State Opera Orchestra, Frederick Guthrie, Akademie Kammerchor, Mario Rossi and Elisabeth Hoengen

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129.

Haydn: Missa in angustiis in D Minor “Lord Nelson" (Hob. XXII:11): V. Credo: Credo in unum deum

Teresa Stich-Randall, Elisabeth Hoengen, Anton Dermota, Vienna State Opera Orchestra, Frederick Guthrie, Akademie Kammerchor and Mario Rossi

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130.

Haydn: Missa in angustiis in D Minor “Lord Nelson" (Hob. XXII:11): VI. Credo: Et incarnatus est

Teresa Stich-Randall, Frederick Guthrie, Mario Rossi, Elisabeth Hoengen, Akademie Kammerchor, Vienna State Opera Orchestra and Anton Dermota

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131.

Haydn: Missa in angustiis in D Minor “Lord Nelson" (Hob. XXII:11): VII. Credo: Et resurrexit

Teresa Stich-Randall, Vienna State Opera Orchestra, Anton Dermota, Frederick Guthrie, Akademie Kammerchor, Mario Rossi and Elisabeth Hoengen

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