I will extol thee, O Lord; for thou hast lifted me up, and hast not made my foes to rejoice over me.
O Lord my God, I cried unto thee, and thou hast healed me.
O Lord, thou hast brought up my soul from the grave: thou hast kept me alive, that I should not go down to the pit.
Sing unto the Lord, O ye saints of his, and give thanks at the remembrance of his holiness.
For his anger endureth but a moment; in his favour is life: weeping may endure for a night, but joy cometh in the morning.
And in my prosperity I said, I shall never be moved.
Lord, by thy favour thou hast made my mountain to stand strong: thou didst hide thy face, and I was troubled.
I cried to thee, O Lord; and unto the Lord I made supplication.
What profit is there in my blood, when I go down to the pit? Shall the dust praise thee? shall it declare thy truth?
Hear, O Lord, and have mercy upon me: Lord, be thou my helper.
Thou hast turned for me my mourning into dancing: thou hast put off my sackcloth, and girded me with gladness;
To the end that my glory may sing praise to thee, and not be silent. O Lord my God, I will give thanks unto thee for ever.
Psalm 30 King James Version
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.
Lifestyles of The Lit & Shameless EP by Shaun ESKO
Producer-singer-songwriter-DJ-everything else rhêtorík bares his soul on ‘Behind Closed Doors.’ The EP is a sum of his whimsy and his triumphs, a showcase of his insecurities, but also a promise to himself and to his fans that there will be light in their lives. Across five songs and in 20 minutes, rhêtorík makes quick work of what hurts him and how he’s learned to heal himself.
“I took a year from 24 to 25, where I went completely stone-cold sober, really got into the vlogging, and just took a year of internal reflection,” he told DJBooth. His reflections led him to question himself and his motives, and ‘Behind Closed Doors’ is the immediate product of his weighty introspection. The indie-meets-EDM influences on the project undoubtedly move music forward, but it’s rhêtorík’s hopeful message that makes him a truly enduring artist.
Young Sheck Wes took over hip-hop with his now-massive single, “Mo Bamba.” The rising Harlem rapper went on to deliver a series of brick singles, sign with Kanye West and Travis Scott, and summon an immense amount of hype for his debut album ‘MUDBOY.’ With virality in his corner, Wes faced the daunting task of proving he is not a one-hit-wonder.
Enter: ‘MUDBOY,’ a debut album that supplants Sheck Wes’ viral success without painting in uninspired strokes. ‘MUDBOY’ is, thankfully, not an album filled with “Mo Bamba” type tracks, nor is it a series of sloppy pivots in search of another smash hit. The album is a coming-of-age story told over hot and harrowing trap production, with Wes employing a breadth of deliveries, demanding we notice and respect his range. Wes gives us stories of his childhood and Senegalese culture on “Never Lost,” and still worms in a riotous anthem with “Gmail.” With ‘MUDBOY,’ Sheck Wes proves that he is no one-hit-wonder; he’s getting really rich, though.