Wayne Dawkins a long time producer of tracks for dance and easy listening finally decided to pick some of his favorite beats to drop lyrics to. 'This party Don't Stop' is the first in a series of cds to showcase over ten years of fresh beat making. Not to mention the raw lyrics from the many underground battles. Topics ranging from life, love, sex, drugs, guns you name it. Most of all is the very interesting reading material found on the inside cover. LOL. The original cd actually had 16 songs. After 3 months of gathering impressions from a host of listeners, 12 of the favorite tracks were chosen for this cd. There is never a dull moment. You have to listen over and over again. Each time you will say to your self 'How did i miss that'. Upon listening to the full track (Not a preview)
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.
On this episode of Grass Routes Podcast, Brandon killabh Hall, Erin Ashley Simon and Regular Naz sat down to chat about Chance the Rapper’s guest appearance on the Joe Budden Podcast and his views on being independent (4:00), Khabib Nurmagomedov and Conor McGregor’s camp brawl following Khabib’s UFC win (20:57), how the team feels about the promo assets for Charlamagne tha God x Kanye’s Times Talk event surrounding mental health (35:39), and how recent Marvel movie news like Chris Evans ending his role probably messed up the team’s theories and predictions (45:00).
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Young Sheck Wes took over hip-hop with his now-massive single, “Mo Bamba.” The rising Harlem rapper went on to deliver a series of brick singles, sign with Kanye West and Travis Scott, and summon an immense amount of hype for his debut album ‘MUDBOY.’ With virality in his corner, Wes faced the daunting task of proving he is not a one-hit-wonder.
Enter: ‘MUDBOY,’ a debut album that supplants Sheck Wes’ viral success without painting in uninspired strokes. ‘MUDBOY’ is, thankfully, not an album filled with “Mo Bamba” type tracks, nor is it a series of sloppy pivots in search of another smash hit. The album is a coming-of-age story told over hot and harrowing trap production, with Wes employing a breadth of deliveries, demanding we notice and respect his range. Wes gives us stories of his childhood and Senegalese culture on “Never Lost,” and still worms in a riotous anthem with “Gmail.” With ‘MUDBOY,’ Sheck Wes proves that he is no one-hit-wonder; he’s getting really rich, though.
Lifestyles of The Lit & Shameless EP by Shaun ESKO
He raps “I’m a product of the ghetto I’m just trying to find my way”
He indeed finds his way by providing a mixture of eclectic sounds and lyrics while skillfully boasting over the soundscape to deliver an experience like no other.