Was born and brought up in Olodi Apapa Lagos state Nigeria. Were he fully discover his talent. He was singed into smile entertainment as a DJ in 2004 but dat has not affected his singing career. He grew up listening to Bob marley and lucky dube which has finally helped him to create his own unique style in the Nigeria music Industry. He was ordained as a DJ ExtraOrdinary by his crazy fans when they observed, he goes far beyond the dick jockey tin alone. He won the best up coming artist in Olodi Apapa, a show that was hold by Corner Stone Record in 2008... Also won th best Upcoming artist Kogi state, a show which was hold by Airtel in 2012 at Lokoja...
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On this episode of Grass Routes Podcast, Brandon killabh Hall, Erin Ashley Simon and Regular Naz sat down to chat about Chance the Rapper’s guest appearance on the Joe Budden Podcast and his views on being independent (4:00), Khabib Nurmagomedov and Conor McGregor’s camp brawl following Khabib’s UFC win (20:57), how the team feels about the promo assets for Charlamagne tha God x Kanye’s Times Talk event surrounding mental health (35:39), and how recent Marvel movie news like Chris Evans ending his role probably messed up the team’s theories and predictions (45:00).
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Lifestyles of The Lit & Shameless EP by Shaun ESKO
He raps “I’m a product of the ghetto I’m just trying to find my way”
He indeed finds his way by providing a mixture of eclectic sounds and lyrics while skillfully boasting over the soundscape to deliver an experience like no other.
Young Sheck Wes took over hip-hop with his now-massive single, “Mo Bamba.” The rising Harlem rapper went on to deliver a series of brick singles, sign with Kanye West and Travis Scott, and summon an immense amount of hype for his debut album ‘MUDBOY.’ With virality in his corner, Wes faced the daunting task of proving he is not a one-hit-wonder.
Enter: ‘MUDBOY,’ a debut album that supplants Sheck Wes’ viral success without painting in uninspired strokes. ‘MUDBOY’ is, thankfully, not an album filled with “Mo Bamba” type tracks, nor is it a series of sloppy pivots in search of another smash hit. The album is a coming-of-age story told over hot and harrowing trap production, with Wes employing a breadth of deliveries, demanding we notice and respect his range. Wes gives us stories of his childhood and Senegalese culture on “Never Lost,” and still worms in a riotous anthem with “Gmail.” With ‘MUDBOY,’ Sheck Wes proves that he is no one-hit-wonder; he’s getting really rich, though.
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.