"Young Enough" is about a 23 year old recent college grad who at first thought the 8-5pm routine weekdays, climbing the corporate ladder, and living lavish weekends were what he wanted. After 8 months of doing the same thing over and over, he finally shifts paths and chases what he really wants.
"Are we still ... ? " is him questioning himself of the path he's taken. Since changing directions, he's not able to see his friends that often, most weekends are sacrificed working, and of course FOMO (the fear of missing out) on his youth.
"You're all I need" isn't necessarily a person or physical being in the present but rather his future self, his future family, and his future lifestyle that he envisions.
Lifestyles of The Lit & Shameless EP by Shaun ESKO
He raps “I’m a product of the ghetto I’m just trying to find my way”
He indeed finds his way by providing a mixture of eclectic sounds and lyrics while skillfully boasting over the soundscape to deliver an experience like no other.
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.
Young Sheck Wes took over hip-hop with his now-massive single, “Mo Bamba.” The rising Harlem rapper went on to deliver a series of brick singles, sign with Kanye West and Travis Scott, and summon an immense amount of hype for his debut album ‘MUDBOY.’ With virality in his corner, Wes faced the daunting task of proving he is not a one-hit-wonder.
Enter: ‘MUDBOY,’ a debut album that supplants Sheck Wes’ viral success without painting in uninspired strokes. ‘MUDBOY’ is, thankfully, not an album filled with “Mo Bamba” type tracks, nor is it a series of sloppy pivots in search of another smash hit. The album is a coming-of-age story told over hot and harrowing trap production, with Wes employing a breadth of deliveries, demanding we notice and respect his range. Wes gives us stories of his childhood and Senegalese culture on “Never Lost,” and still worms in a riotous anthem with “Gmail.” With ‘MUDBOY,’ Sheck Wes proves that he is no one-hit-wonder; he’s getting really rich, though.