Em dezembro de 2016, a Venezuela foi suspensa administrativamente do Mercosul por não cumprir as adequações econômicas para sua adesão formal ao bloco e, desde então, já não participava das reuniões decisórias. Após a 50ª Cúpula de Chefes de Estados Partes e Estados Associados do Mercosul, em julho, os chanceleres dos membros plenos (Argentina, Brasil, Paraguai e Uruguai) se reuniram em São Paulo e decidiram, em 5 de agosto, pela suspensão política do país no processo de integração, com base no Protocolo de Ushuaia – documento de 1998 que inclui uma cláusula democrática que pode levar à suspensão política de um país do bloco. Segundo o comunicado emitido pelo Itamaraty sobre a decisão, os quatro ministros avaliaram a ausência de medidas concretas para a retomada da normalidade democrática por parte do governo venezuelano, sua recusa a participar da reunião de consultas e o agravamento da situação no país.
Para nos ajudar a entender melhor a série de acontecimentos recentes envolvendo o Mercosul e a Venezuela, convocamos novamente o nosso grande mestre da Política Internacional, Paulo Velasco.
Gravado em 16/08/17.
Young Sheck Wes took over hip-hop with his now-massive single, “Mo Bamba.” The rising Harlem rapper went on to deliver a series of brick singles, sign with Kanye West and Travis Scott, and summon an immense amount of hype for his debut album ‘MUDBOY.’ With virality in his corner, Wes faced the daunting task of proving he is not a one-hit-wonder.
Enter: ‘MUDBOY,’ a debut album that supplants Sheck Wes’ viral success without painting in uninspired strokes. ‘MUDBOY’ is, thankfully, not an album filled with “Mo Bamba” type tracks, nor is it a series of sloppy pivots in search of another smash hit. The album is a coming-of-age story told over hot and harrowing trap production, with Wes employing a breadth of deliveries, demanding we notice and respect his range. Wes gives us stories of his childhood and Senegalese culture on “Never Lost,” and still worms in a riotous anthem with “Gmail.” With ‘MUDBOY,’ Sheck Wes proves that he is no one-hit-wonder; he’s getting really rich, though.
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.
On this episode of Grass Routes Podcast, Brandon killabh Hall, Erin Ashley Simon and Regular Naz sat down to chat about Chance the Rapper’s guest appearance on the Joe Budden Podcast and his views on being independent (4:00), Khabib Nurmagomedov and Conor McGregor’s camp brawl following Khabib’s UFC win (20:57), how the team feels about the promo assets for Charlamagne tha God x Kanye’s Times Talk event surrounding mental health (35:39), and how recent Marvel movie news like Chris Evans ending his role probably messed up the team’s theories and predictions (45:00).
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Lifestyles of The Lit & Shameless EP by Shaun ESKO
He raps “I’m a product of the ghetto I’m just trying to find my way”
He indeed finds his way by providing a mixture of eclectic sounds and lyrics while skillfully boasting over the soundscape to deliver an experience like no other.