Nsangi is a Ugandan girls’ name in the Buganda kingdom. This is a Gospel song inspired by an old folk tale where a woman gives birth to a beautiful daughter and gives her that name. Now, in this case Nsangi represents THE HUMAN RACE; Nsangi’s mother, GOD (The Creator Of The Universe). On this small village (this world we live in) where they resided lived man-eating Apes (Amazike) in whose presence Nsangi’s life wasn’t safe in any way since they always preferred eating young children to adults. These represent the enemy (satan and his works). So, when more and more children went missing Nsangi’s mother decided to take her to a far away valley and lock her up in a cave until such a time as she develops breasts.
Nsangi had nearly turned 5 years of age when her mother taught her that every tim
After MGK sent shots Eminem's way with "Rap Devil," Em is ready to fire back with an eviscerating cut. "KILLSHOT" is exactly that, a diss track featuring Eminem tapping into his signature anger and going for MGK's throat by way of advanced wordplay. While the game is constantly changing, even in the forum of a diss track, Eminem keeps finding new ways of moving music forward.
Em hits Kells where it hurts, clowning everything from his career to his fashion sense, to his attempts at starting beef with Bay Area rapper G-Eazy. Did Eminem take out MGK with this one? Press play and find out which artist is walking away from this beef as the victor.
Watch how we did it here: www.youtube.com/watch?v=9Abgk3VjBmc
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The new album by 6lack, East Atlanta Love Letter, enters the Sum'n to Say discussion colosseum. We dig into the heart of his sophomore offering, praise the inventive drive-in movie listening party, and consider what the East Atlanta Love Letter can possibly do next.
Production by Michael Saba: www.youtube.com/user/akhorahilis
Intro music by Slimm Leary
Producer-singer-songwriter-DJ-everything else rhêtorík bares his soul on ‘Behind Closed Doors.’ The EP is a sum of his whimsy and his triumphs, a showcase of his insecurities, but also a promise to himself and to his fans that there will be light in their lives. Across five songs and in 20 minutes, rhêtorík makes quick work of what hurts him and how he’s learned to heal himself.
“I took a year from 24 to 25, where I went completely stone-cold sober, really got into the vlogging, and just took a year of internal reflection,” he told DJBooth. His reflections led him to question himself and his motives, and ‘Behind Closed Doors’ is the immediate product of his weighty introspection. The indie-meets-EDM influences on the project undoubtedly move music forward, but it’s rhêtorík’s hopeful message that makes him a truly enduring artist.