GrandeMarshall’s long-awaited new studio album, My Brother’s Keeper, drops November 20th on Fool’s Gold. In a sea of trend-hopping MCs, this Philly artist has confidently sailed his own wave since 2012, when Fool’s Gold founders A-Trak and Nick Catchdubs signed Grande on the strength of the self-released debut, 800. The following year’s free FG album Mugga Man pushed the envelope even further, and propelled GrandeMarshall into conversation amongst some of hip-hop’s biggest up and coming names. Working with the likes of Flume and Nadus while consistently putting out impressive solo tracks has earned this North Philadelphia rapper nods from the press and original heads alike. Yet My Brother’s Keeper is a new milestone for Grande – unhurried, self-assured, and deeply personal.
On this episode of the Sum'n To Say podcast we are joined by the incomparable DJ Wally Sparks to talk about his roots here in Atlanta and his epic R&B party The Groove. Wally also opines about the nature of "fickle" music fans. Is NYC still the mecca of hip-hop? Can meccas move? We dive into that topic as well. Also, Soulja Boy is a political activist (not really, but kinda?)
Audiomack is proud to present the Drill Symphony with Chief Keef. Always moving music forward, the Drill Symphony was filmed at Henson Recording Studios in Los Angeles, California. With an enchanting ensemble - Summer Swee-Singh on piano, Camille Miller and Yasmeen Al-Mazeedi on violin, Tim Richardson on viola, Eru Matsumoto on cello, and Jon Brick on drums - recording by Jaime Sickora, mixed/arranged/composed by John Cleary, and the whole process shot out by Erikson Corniel, Chief Keef's classics are given new life.